Scott Reeder, the head of props on “Walker,” the TV revival about a gun-toting Texas Ranger, was planning for a scene in which a woman points a revolver at a captive when a new set of orders arrived: real guns would no longer be used in the production.
It was shortly after a cinematographer had been fatally shot on the set of the film “Rust” in New Mexico, when a gun Alec Baldwin had been rehearsing with fired a live bullet.
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